Our gallery was updated with pictures of Kirsten last night in Culver City, attending the launching party of The Shop.
Kirsten Dunst is set make her feature film directorial debut with The Bell Jar, an adaptation of Sylvia Plath’s famed 1963 novel. Dakota Fanning has been set to play the lead role of Esther Greenwood in the pic, which Dunst has co-written with Nellie Kim. The Stanford Prison Experiment producer Priority Pictures optioned remake rights from Studio Canal, and production is eyed to start in first-quarter 2017.
The Bell Jar is set in the 1950s and follows Greenwood, who takes an internship at a magazine in New York City and, after she returns home to Boston, begins to suffer from mental illness. A 1979 movie adaptation of the book was directed by Larry Peerce and starred Marilyn Hassett.
Dunst has directed a pair of short films: Welcome starring Winona Ryder and John Hawkes, which was screened at Sundance; and Bastard starring Brian Geraghty and Lukas Haas which screened at Tribeca and Cannes.
Last Thursday (14) the Television Academy unveiled the nominees for its 68th Annual Emmy Awards, and Fargo received an impressive and well deserved 18 nominations for its second installment, including Best Actress (to Kirsten), Supporting Actor (to Jesse Plemons and Bokeem Woodbine), Supporting Actress (to Jean Smart), Outstanding Limited Series, Outstanding Casting, Cinematography and Writing.
Kirsten talked to LA Times right after the nominations.
It’s a good day for “Fargo.”
Yes. We’re all texting each other: “So happy!” It’s a great group of people and I feel like what Noah [Hawley] does with “Fargo,” it’s so well-deserved and he’s such a genius. It’s just so nice to be recognized for something that you’re proud of, because that doesn’t always go hand-in-hand.
Are you celebrating?
I will later, I guess. I’m in Santa Fe. I’ll buy myself some turquoise, maybe. Go look at some art.
Peggy took an unexpected journey on the series.
That’s a tribute to Noah and his writing team. I knew from the beginning it was going to be special. The writing on that show is so great and the character was so unique. Things just don’t get written that often for women to play. It was just so fun and there was so much for me to do and play in that role.
The award ceremony will be held on Sept. 18 at the Microsoft Theater, and will air live on ABC, with Jimmy Kimmel acting as host.
LA Times’ The Envelope did a series of video interviews with some Emmy contenders, and they have the video published on their website. They also published additional talking on their website, which you can read below.
We hadn’t seen you much before “Fargo.” Had you made a conscious decision to take something of a break?
I’m someone who waits. And my manager will be like, “You need to work! Look at this script!” But I can’t do it. I physically can’t do it. I think it’s because I’ve been working so long that I’m kind of at a normal person’s retirement age.
You’ve been acting for 30 years …
I started when I was 3 and I just turned 34. I should be a retiree! I’m tired! I’m not hustling. I’m happy to spend my summer off and then work with Sofia [Coppola] in the fall. Do I need to squeeze another project in there? No!
The projects you have made lately have been independent films …
… which don’t pay much. And no one sees. That was what was amazing about “Fargo.” My mom’s saying, “I went to Bloomingdale’s and everyone’s telling me how much they loved ‘Fargo.’” It’s been awhile since anyone has said anything to her.
No Lars von Trier fans in her circle?
[Laughs] I remember I went to that same Bloomingdale’s at the Fashion Square mall in the Valley and I was perusing the shoe section and one of the women came up to me, sweetly, but also curt too, saying, “I miss you in film.” And meanwhile I had done “Melancholia.” I had done films, just not the kind normal audiences would ever seek out and see. So doing “Fargo” was such a relief. People were actually seeing my work.
You spent six months filming “Fargo” in Calgary. Allison Tolman told me Bob Odenkirk was a great advance scout in the first season, finding the bookstore and the good restaurants …
Oh, I found the good restaurant. Model Milk. Such an odd name. We also found the casino. I won a lot of money! I love gambling, but I’m not bad with my money at all. I will take like $300, put it aside and only gamble with that. I’m very conservative. If I win, I walk away for sure. And I won over $1,000 in under two minutes playing slots.
No wonder you don’t need to work. You can fall back on gambling!
[Laughs] I’m not that big of a gambler! I gambled twice over the course of the past year.
It sounds like watching “Fargo” was something of a family activity with you and your mom and your brother.
My only wish is that my grandma could have seen it. She’s from Minnesota and she passed away before I did all this. That was the most heartbreaking thing for me watching it. My grandma would have gotten such a kick out of “Fargo.” We were very close. I was born on her birthday.
Did you incorporate her at all in your work on the show?
Oh, I used everything. A little dash of my grandmother. My dreams. Things that annoy me. People on set. I used everything possible to give my character an inner life that felt grounded. But it’s not like I felt my grandmother’s presence on set. I did have one blatant moment with her though … with a hummingbird. I was driving home from a friend’s house and this hummingbird was in the middle of the street and it wouldn’t move. And it forced me to stop my car. I drove home and told my mom what happened because that’s not in the nature of a hummingbird to do that. They’re always dashing around. And my mom realized that it was the day my grandma passed. So I think it was my grandma saying “hi.”
Check some portraits she took during the interview added in our gallery.
Photos of Kirsten last night attending the CFDA Fashion Awards has now been added. She teased yesterday her look through Instagram, and she was looking marvellous, wearing Rodarte.
Cannes Festival has ended yesterday and Kirsten attended the closing ceremony on Sunday (May 22) at the Palais des Festivals in Cannes, France. She was joined by her fellow jury members and was looking amazing in a Valentino Haute Couture gown. You can find now over 200 HQs added in our gallery.
Appearances in 2016 > May 22 | The 69th Annual Cannes Film Festival – Closing Ceremony Red Carpet
Appearances in 2016 > May 22 | The 69th Annual Cannes Film Festival – Closing Ceremony
NY Times has published today an article about the upcoming Hidden Figures. The film stars Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kirsten Dunst, Kevin Costner, Aldis Hodge, Jim Parsons, Mahershala Ali and Glen Powell. The film chronicles Katherine Johnson (Taraji P. Henson), the brilliant mathematician who worked with Dorothy Vaughn (Octavia Spencer) and Mary Jackson (Janelle Monáe) as the main brains behind John Glenn’s first trip into space and back in 1962. People remember his being the first orbit of the Earth, now we’ll properly learn who helped get him there. Kirsten will play a NASA supervisor.
Ted Melfi is in the director’s chair for this one, with writer Allison Schroeder adapting Margot Lee Shetterly’s book Hidden Figures: The Story Of The African-American Women Who Helped Win The Space Race, which doesn’t hit stores until September. The film is set to hit theaters next January 13, 2017 – if nothing changes until there.
They were shooting downtown, in the old Georgia Archives building, a looming marble block, nicknamed the White Ice Cube, that was built in the ’60s and shuttered after engineers determined it was steadily sinking into the ground. For this film, which also stars Kevin Costner and Jim Parsons, the building was standing in for the Langley Research Center in Virginia. In the fusty air inside, amid snaking cables and extras dressed like squares from 1961, portable air-conditioners fought a mighty and futile battle with Atlanta’s wilting heat.
Ms. Gigliotti sat before a monitor, headphones on, glued to a scene being shot in an adjacent room. Kirsten Dunst, who plays a NASA supervisor, was fixing Ms. Henson with an acid stare. “They’ve never had a colored in here before Katherine,” she said coolly, “Don’t embarrass me.”
Ms. Henson blanched, turned and was about to walk through a nearby door when her handbag got stuck on the doorknob. Mr. Melfi called cut.
“Did I steal that or what?” Ms. Henson asked sarcastically, throwing an expletive in.
Read the full article at NY Times website.